Copyrights

Artists aim to thwart AI with data-poisoning software and legal action

With AI-generated content continuing to evolve, the advent of data-poisoning tools capable of shielding an artist’s works from AI could be a game changer.

As the use of artificial intelligence (AI) has permeated the creative media space — especially art and design — the definition of intellectual property (IP) seems to be evolving in real time as it becomes increasingly difficult to understand what constitutes plagiarism.

Over the past year, AI-driven art platforms have pushed the limits of IP rights by utilizing extensive data sets for training, often without the explicit permission of the artists who crafted the original works.

For instance, platforms like OpenAI’s DALL-E and Midjourney’s service offer subscription models, indirectly monetizing the copyrighted material that constitutes their training data sets.

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Evidence mounts as new artists jump on Stability AI, Midjourney copyright lawsuit

The battle continues as artists amend a lawsuit previously struck down by court authorities against major AI companies that have allegedly violated creative copyright laws.

A copyright lawsuit filed against multiple companies developing artificial intelligence (AI) tools has been amended, with artists and their legal teams continuing to allege their creative works have been misused. 

On Nov.

The new artists include H.

According to the amended class action case, Stability AI, Midjourney and DeviantArt, along with new defendant Runway AI, have produced systems that create art in the style of the artists when the artists’ names are used as prompts fed to the AI.

The plaintiffs claim that, as a result, users have generated art that is “indistinguishable” from their own.

“AI image products are primarily valued as copyright-laundering devices, promising customers the benefits of art without the costs of artists.”

Related: Artists face a choice with AI: Adapt or become obsolete

In addition, the artists allege that Midjourney — one of the most popular generative AI tools for creating art, with roughly 16.4 million users, according to its website — has violated rights that fall under federal trademark laws in the United States.

The claims point to Midjourney’s website promoting a list containing the names of over 4,700 artists, including some of the plaintiffs, that can be used as generative prompts.

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Trademarks filed for NFTs, metaverse and cryptocurrencies soar to new levels in 2022

Trademark applications filed for NFTs alone grew from a total of 2,142 filed for 2021 to 6,855 by the end of October 2022.

The number of companies filing trademarks for nonfungible tokens (NFTs), metaverse-related virtual goods and services, and cryptocurrencies has grown rapidly in 2022. 

According to data compiled by licensed trademark attorney Mike Kondoudis, the number of trademark applications filed for digital currencies, as well as their related goods and services, has reached 4,708 as of the end of October 2022 — surpassing the total number filed in 2021 (3,547).

The number of trademark applications filed for the metaverse and its related virtual goods and services also soared to 4,997 from the 1,890 filed in 2021. This seems to suggest a massive appetite for the metaverse and its related products, despite the setbacks the ecosystem has faced in becoming fully functional.

The desire for NFTs as a technology still appears to be on the rise, despite a recorded decline in NFT trading volume and sales. According to Kondoudis’ statistics, the total number of trademark applications for NFTs and their related products increased from 2,142 in 2021 to 6,855 as of October 2022.

Related: What remains in the NFT market now that the dust has settled?

Within the past month, a number of companies have filed fresh trademark applications to join the Web3 ecosystem. On Oct. 21, makeup and cosmetic giant Ulta filed a trademark application for plans to include NFTs and virtual makeup and salon services among its offerings.

Luxury watchmaker Rolex also filed a trademark application with plans to bring NFTs, NFT-backed media, NFT marketplaces and a cryptocurrency exchange to its empire.

NFTs democratize music industry and redistribute song rights

EDM artist R3HAB and music community anotherblock are using NFTs to share song royalties with everyone involved in the process of launching a song — including fans.

The music industry continues to find inventive ways to integrate decentralized technology into new releases to benefit both artists and their fans. 

Electronic dance music (EDM) artist R3HAB and blockchain-based music community anotherblock released a single on Friday with the idea of “democratizing music rights.” The nonfungible token (NFT) included in the drop allows holders to earn royalties based on streaming popularity.

The single, “Weekend on a Tuesday,” debuted bundled with an exclusive NFT. Each of the 250 NFTs available entitles the holder to a 0.02% share in the streaming revenue. Anotherblock’s platform provides a value tracking tool so holders can estimate payouts and overall value.

Many artists have been using digital assets as a way to connect with their fan base through extra exclusives tied to the NFT. Typically, extras include artwork, additional music or behind-the-scenes material.

Anotherblock CEO Michel D. Traore told Cointelegraph that this way of implementing NFTs allows those who create value around songs to take part in receiving some of it back.

“Music rights’ value is created by people loving and listening to the music, and doing things with it. Why shouldn’t [they] be able to own rights if they create the value by listening to it. They should be able to get some of the upside as well.”

The idea behind this vision of spreading the value from primarily record labels and music catalogs to include more of the artists themselves and also the fans can be looked at as a “democratization” of the music industry. 

“The middle ground of more and more people owning rights is what’s missing today, and I think lead to positive effects.”

While it’s easiest to introduce these ideas with larger artists like R3HAB and Steve Aoki, this only paves the way for up-and-coming artists to enter into the industry with these ideas prior to committing to a restrictive contract.

Related: Musician Grimes’ debut NFT auction generates $5.8M in 20 minutes

In an interview with Cointelegraph R3HAB highlighted the aptitude of EDM fans toward new “cutting-edge” technology like NFTs. R3HAB said his team had been looking at fans’ interest and engagement with Web3 based-platforms.

This is where I got the confirmation to dive into the NFT space and provide my fans with this opportunity.”

According to Traore, anotherblock polled its Discord community on music genres of interest for NFTs and EDM scored highest followed by HipHop and R&B. Moreover, a recent report from Ripple revealed that 55% of major financial institutions are interested in music-related NFTs.

As the crypto industry refines itself in light of the market crash, projects without real value and utility are being cleaned out. Traores sees the connection to value in the real world with music rights NFTs as a sign for something lasting. 

GameStop ‘Falling Man’ NFT saga shows people’s power at its finest

While GameStop faced the heat for an insensitive NFT listing, OpenSea had the Falling Man NFT listed on its platform for over two months.

A recent nonfungible token (NFT) listing on GameStop’s marketplace became the center of controversy in the NFT world. The listing received heavy backlash from the community, which prompted the marketplace to take action within a day, showing how a community can come together to reverse the wrong.

The NFT in question, titled “Falling Man,” showed a man in a space suit falling downwards. The NFT in question had quite a resemblance to the infamous 9/11 photo of a man falling to his death that has since s become a defining moment of the deadly attacks. Many believed the NFT was mimicking the 9/11 victim and also infringed on the copyright of the image taken by original photojournalist Richard Drew.

In another discussion on the meme stock subreddit GME_Meltdown, a user pointed out that the figure in the NFT is a rendering of an existing 3D model of a Russian flight suit created by an independent artist, which was used without the permission of the original artist.

The GameStop team eventually took down the NFT and even banned the creator behind the art from minting on the platform.

The crypto community demanded GameStop do better due diligence before approving any artform to its marketplace. One user wrote:

“It’s still not enough how do you even allow this it’s disgusting there needs to be a review team that looks into each NFT for shit like this or stolen art.”

GameStop didn’t respond to Cointelegraph’s request for comments at press time.

While GameStop faced the community backlash, the incident opened a Pandora’s box of evidence highlighting how for many, NFTs became a medium of making quick money at the cost of common human decency.

Related: Scams in GameFi: How to identify toxic NFT gaming projects

OpenSea, currently one of the most popular NFT marketplaces, has the “Falling Man” as NFT up for sale for nearly two months.

Another revelation came earlier in January this year when a doctor tried to selli an X-ray of the 2015 Paris terrorist attack victim as an NFT. The doctor is currently facing legal and disciplinary actions.

The NFT mania began at the height of the bull run in March 2021 after digital artist Beeple’s NFT art fetched a whopping $69.3 million. Since then, NFT has become the buzzword, and every other brand and celebrity has been getting involved with the phenomenon. 

With the rise in popularity, the ecosystem became a target of scammers as well, leading to an increase in copyright infringements and fake NFT sales. However, the crypto community has always come together to show the power of the people. One such instance took place in May this year when the Solana (SOL) community came together to “scam” a scammer to get back some stolen NFTs.

Will intellectual property issues sidetrack NFT adoption?

In posting NFT artwork on social media, a new owner could be breaking intellectual property laws. A “wave of litigation has already begun.”

The rapidly growing but loosely regulated nonfungible token (NFT) industry already touches many areas of human endeavor “from academia to entertainment to medicine, art, and beyond,” wrote recently two United States senators in a letter to the U.S. Patent and Trademark Office (USPTO) and the U.S. Copyright Office. The legislators were requesting a study to explain how this emerging technology fits into the world of intellectual property (IP) rights, including copyrights, trademarks and patents. 

It is an area that some say is marked by ambiguity and inconsistent application of the law, and sometimes indifference from the courts. “Many feel it is time for Congress to step in and provide the predictability needed for innovation to flourish,” Michael Young, partner at Finnegan, Henderson, Farabow, Garrett & Dunner, LLP, told Cointelegraph.

The joint study that senators Patrick Leahy and Thom Tillis requested from the agencies, due June 2023, has as background a recent slew of high-profile lawsuits — Nike v. StockX, Hermès v. MetaBirkins and Miramax v. Quentin Tarantino — that raise some sticky questions about NFT creation, ownership and dissemination.

In one case, an NFT was minted — without permission — featuring sneakers with a Nike Swoosh. In another, NFT-related digital images were created of Hermès’ Birkin handbags, covered in fur, not leather, but also unlicensed. In a third, a famed movie director created NFTs from a film he directed but didn’t own. 

A “wave of litigations has already begun for trademarks and copyrights, and courts are grappling with applying principles crafted long before the NFTs existed,” Anna Naydonov, partner and co-chair with Young of Finnegan’s Blockchain, NFTs, and Other Digital Assets industry group, told Cointelegraph.

“The lack of clarity surrounding patent subject matter eligibility for software remains a top concern for NFTs and other crypto-based innovations in both the U.S. and abroad,” said Young. Much the same could be said about trademark and copyright issues, especially the secondary liability of marketplaces like OpenSea, as well as metaverse virtual worlds and similar platforms where copyright infringement can occur, added Naydonov.

Still, not all agree that new legislation is needed. Some believe that government intervention in the U.S. and elsewhere would be not only superfluous but could stifle NFT adoption and innovation.

Is current law sufficient?

The real problem, as Gina Bibby, partner at Withers Bergman LLP, told Cointelegraph, could simply be “a lack of education about what NFT ownership really means.” A key thing that people seem to overlook is that: 

“Absent a contractual agreement — e.g., smart contract — that expressly includes intellectual property (IP) rights, purchasing an NFT does not convey any copyright, patent or trademark rights or even ownership interests in the physical world asset on which the NFT is based.”

Are there, arguably, some false ideas out there about NFT ownership and puzzlement over who can do what?

Recent: The regulatory implications of India’s crypto transactions tax

“Yes,” Eric Goldman, associate dean for research and professor at Santa Clara University School of Law, told Cointelegraph. “In the offline world, the buyer of a painting or sculpture doesn’t automatically buy the associated copyrights.” That is unless the copyright is separately transferred, the artist or sculptor “can commercialize depictions of the art/sculpture and prevent the chattel owner from doing the same.” Even if the average consumer isn’t always aware of this, the U.S. Copyright Act expressly states:

“Ownership of a copyright, or of any of the exclusive rights under a copyright, is distinct from ownership of any material object in which the work is embodied.”

Goldman sees “a lot of erroneous claims” being made these days to the effect that “that owning one piece controls the other,” i.e., the NFT owner controls the IP or the IP owner controls the NFT. People often fail to recognize that, just as in the physical world, a piece of art and the item’s copyright are often owned by two different people, so too “an item of IP and its NFT can and often will be owned by two different people.”

Growing pains of a new industry?

But, every new technology brings with it novel questions, and maybe the current debate is just another example of technology moving faster than the law. Will regulators and lawmakers struggle to keep pace with changes?

“It’s the opposite,” Joshua Fairfield, a professor of law at Washington and Lee University, told Cointelegraph. “The law is already in place and has been for hundreds of years. Property is one of the oldest disciplines of law. There is no reason at all that someone cannot own an NFT like we own cars, houses, stocks, or the money in our bank accounts — after all, each of those property interests is also an entry in a database of who owns what.”

The problem here, Fairfield continued, is that intellectual property law grew to overshadow personal property interests online, telling Cointelegraph:

“If I own a book, I own the copy, despite the fact that the book contains copyrighted material. But online, I don’t own an e-book because too many courts only recognize the intellectual property interest.”

That is beginning to change now, however, as courts recognize that intangible assets like domain names or NFTs are no different from any other kind of personal property interest that we want to own, added Fairfield.

In Goldman’s view, the problem here “is similar to the issues about domain name ownership we wrestled with a quarter-century ago.” A domain name can be a piece of personal property even if it’s not protected by trademarks, he said, predicting that “the non-IP rules developed to protect those domain name owners will help resolve NFT ownership disputes.”

Bibby, for her part, doesn’t agree that intellectual property law has grown to overshadow personal property interests online. “When intellectual property laws are applied in a thoughtful and measured way, other interests including personal property interests are likely to be respected.”

Confusion along these lines isn’t restricted to NFTs, of course. A decentralized autonomous organization (DAO), SpiceDAO, recently paid over $3 million at auction for the unpublished manuscript for the Dune film, intending to make an animated limited series about the book for a streaming service.

Then it learned, too late, that in the U.S. and Europe, buying a manuscript of creative work does not grant the buyer its copyright too. SpiceDAO was ridiculed on Twitter, among other places, for its oversight. As Andrew Rossow, a technology attorney and Ohio law professor, told Cointelegraph in February:

“The Spice DAO and Dune fiasco was a landmark in its own right that sends a very powerful message to everyone involved in the NFT space — creator or owner. The $3-million mistake that was made proved that intellectual property’s dominion in digital fine art is essential to its success and longevity.”

Asked about needed clarifications, whether through laws or other means, Fairfield answered that people need to know the owner of an NFT owns the copy of the photograph or artwork, “just like we own a car or a painting or a book, and can sell it and capture its rise in value regardless of attempted restrictions hidden in license agreements.” 

“Right now, when people put millions of dollars into an NFT, they’re being told they don’t even own the right to capture the rise in value. That makes investment unsustainable,” he said. What is needed is “recognition that ownership of an NFT is an ordinary everyday ownership of personal property,” added Fairfield, further explaining:

“It means NFTs pass to heirs after death. If an NFT is stolen, the owner can go to court to get it back. If an NFT is damaged or destroyed the owner can get its value from the person who did it. An owner knows that they will be able to capture the rise in value of the NFT if it turns out to be a good investment.”

Rising fraud could prompt a crackdown

Some believe that there are risks if governments get too aggressive with regulatory and legislative reforms in emerging technologies. “Government intervention into new technological arenas always creates a risk of misregulation that harms or hinders the development, especially when the technology is rapidly evolving or the government regulators don’t understand the technology,” noted Goldman. 

But, the status quo may not be sustainable here because at present, “NFTs are being used to perpetrate consumer fraud,” added Goldman. “When the fraud numbers are large enough, the government must intervene to protect consumers.”

This, in turn, could lead to over-regulation. “Unfortunately, the fraudulent angles of NFTs have a real risk of overshadowing the activities of the legitimate NFT players. The legitimate players are potentially going to be hurt by government crackdowns even though they were doing the right thing all along,” Goldman said.

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“Such risks always exist, which is why intellectual property and marketing lawyers in this space hope that the U.S. Patent and Trademark Office, the U.S. Copyright Office, the Federal Trade Commission and/or legislators work closely with key industry stakeholders to understand the main legal challenges and the technology behind NFTs, and come up with workable solutions,” said Young. Naydonov added that “regulation and legislation without input from the industry could set the U.S. back as compared with other jurisdictions.”

“People need to be educated”

Bibby, however, sees no need for wholesale legal reform. What is required instead is “a discussion about what we currently know about NFT ownership,” she told Cointelegraph. People need to be educated and understand that a basic NFT purchase brings with it no copyright, trademark or patent rights — unless express language declares otherwise. She added:

“Throughout modern history, laws have been tested by innovation and survived. The U.S. Constitution is a perfect example. The real need is to understand how existing intellectual property laws apply to recent innovations like virtual assets, including NFTs, virtual goods and the like.”

Moreover, decisions in several pending court cases, including Nike v. StockX and Hermès v. MetaBirkins, will probably be sufficient to “resolve many of these outstanding questions,” Bibby told Cointelegraph.

Meanwhile, the senators gave the USPTO and Copyright Office until June 9, 2023, to complete their study, but given the breathtaking speed at which NFTs and digital assets are being created and disseminated, the market itself might provide some answers before the agencies’ joint work ever sees the light of day.

Are expiring copyrights the next goldmine for NFTs?

Most people think of digital art when it comes to NFTs, but in the future, expiring copyrights could be preserved, refreshed and repurposed using nonfungible token technology.

Although nonfungible tokens (NFTs) are most commonly known in the form of digital art, they exist in many other forms and represent much more than just art. 

In the creative industry, NFTs have been used by musicians such as Kings of Leon to release their latest album. In the sports industry, NFTs are created to record the highlights of major sporting events such as the NBA. In the consumer product industry, Nike, Gucci and many others are selling their digital branded products in the form of NFTs. A lot more real-world applications of NFTs are still to be explored and one of them is the digital publishing industry.

The game-changing implications of publishing and promoting books with NFTs have already been discussed extensively by many. For example, the Alliance of Independent Authors is helping indie authors to promote their latest books using NFTs. Other associated items for the fans club such as character cards are also made into NFTs. Tezos Farmation, a project built on Tezos network, even uses the complete text of George Orwell’s Animal Farm book and slices it up into 10,000 pieces to use as titles for the NFTs.

NFTs created from existing books are normally bound to copyrights. However, in the case of Tezos Farmation, the copyright had already expired. The text from the book can be used by any party for free. This triggers a very interesting question: How can NFTs preserve copyrights and royalties for books with expired copyrights?

The NFT application in the publishing industry is so far mostly focused on books that still have royalties and are within their copyright lifespan. But, there are authors whose work lives on long past both their mortal existence and that of their copyrights; can NFTs provide their estates a means to extend the life of the book and its royalties?

The journey from copyright to public domain

Copyright laws are complex and vary widely throughout the world. Although few countries offer no copyright protection in line with international conventions, most jurisdictions work on the premise that copyright is protected for the author’s life plus a minimum of 25 years after their death.

In the European Union, copyright is protected for 70 years after the death of the latest living author. It is the same in the United States, with the exception that books originally published between 1927 and 1978 are protected for 95 years after the first publication. No matter how long the copyrights are protected, given enough time, anything will end up free in the public domain.

When celebrated literature enters the public domain, the future value of the work is essentially reduced to zero. However, there often remains a disconnected community that intrinsically values the work.

Estates holding copyrights that are about to fall into the public domain have a unique opportunity to create a tangible asset in the form of NFTs from the intangible goodwill embedded in the disconnected community.

A good example would be Winnie-the-Pooh, a fictional anthropomorphic teddy bear created by English author A. A. Milne and English illustrator E. H. Shepard is loved by fans all over the world. The first collection of stories about the character was created in 1926. After almost 96 years, the copyrights had expired, and the book moved into the public domain on January 1, 2022. The estate holding the copyright will receive no future value from Winnie-the-Pooh, even though the commercial value of such a worldwide famous cartoon character will remain high for a long time.

Just prior to the copyright expiration, the controlling estate has the window of opportunity where no one else is legally entitled to do anything with the works. If the estate had spent time connecting fans with an interest in NFTs, building or collaborating with a project that resonates with them, and launching the NFT collection prior to the completion of the copyright period, the outcome would have been very different. There could have been a much longer copyright lifespan for Winne-the-Pooh.

Related: Experts explain how music NFTs will enhance the connection between creators and fans

Extending the value of an expiring copyright

Currently, publishing houses have no incentives to collaborate with the estate of copyright holders that are about to enter the public domain because the work will soon be free. A certificate of authenticity represented by a tradable NFT might provide an incentive for such collaborations.

After the copyright expires and the work goes into the public domain, the NFTs will carry the royalty further into the digital world. Royalties can be generated through sales in the NFT marketplace on the blockchain or through even more complex smart contracts created for specific use cases for first edition, limited edition or signed vintage copies.

The estates holding expiring copyrights have credibility, which is a precious asset in the NFT world, and they have nothing to lose. They are in the box seat to capitalize on their current ownership and potential for a digital community.

Beloved characters and the worlds they inhabit can be a solid foundation for not only NFTs that can extend copyrights but also extended creativity across mediums like literature, gaming, Metaverse, charity, education and many more to come.

The views and opinions expressed here are solely those of the author and do not necessarily reflect the views of Cointelegraph.com. Every investment and trading move involves risk, you should conduct your own research when making a decision.